New School Year, Second Chance

I don't know about you but I always feel like the beginning of the school year is my chance to revisit and re-energize all those New Year's resolutions I made last January and have slowly let go of. I did not totally drop the ball but it is hard to focus on your to-do list when you have kids on summer vacation, wonderful family visitors and all the good beer and weather of a German summer.

Summer play time also brings good ideas. I visited a lot of beautiful places this summer, some famous and some not. All those images in my brain have to go somewhere - hopefully they will show up on a canvas this winter. 

My obsession with painting chickens is slowing down as I prepare for the next series I have in mind. It is going to be a lot more complicated than what I currently paint so I am summoning the courage to actually do it and not keep putting it off (it combines portraits and birds).

This year I also need to focus on actually selling artwork!
I imagine a lot of artists have this goal. I plan to research online marketing, ramp up social media and basically market myself which is really scary to an introvert like me. This month I am showing all my chicken paintings in the local library on Vogelweh Base here in Germany - which is a start in the right direction.

Next up - paint, paint, paint!

As I ease back into regular blog posts, here are a few art related posts from the summer.

Please leave a comment and let me know: How was your summer? What are you hoping to get done this fall?

Until next time,
Beth :-)

The beginning of yet another chicken... 

This little watercolor sketch was from the pool. Can you see the man that was in front of me? 

Giant tile mosaic in the Paris metro. 

Dear Beginning Artist

C.S. Lewis — "Experience: that most brutal of teachers. But you learn, my God do you learn."

Dear Beginning Artist:
Here's the one thing that has taught me more about painting than anything else: Paint every day. Those three little words are enough to strike fear in the hearts of every art student cradling those fragile dreams of success. It's advice given by every art teacher - but to take it you must surrender to your craft.

I, like many of my fellow students, loved making art but only did it in those few hours a week of class. There are amazing artists that have been taking classes for years because paying for an art class is the only way they would let themselves make art. For fifteen long years I took classes, made art off and on and stuffed a lot of those dreams of an art career down below everything else. I could blame a lot of things but really it was, as Steven Pressfield puts it in his book "The War of Art", Resistance that was the culprit. 

It is said, the thing you resist persists. Thank God that is true! In the 25 plus years I have been personally putting up some form of resitance the desire has persisted. Our move to Germany literally gave me the freedom to make some sort of art everyday. And I discovered, just like all those fine art teachers told me, painting everyday has been my greatest teacher. 

Larry Bird practiced free throws, 300+ a day.

Chef Greg Mindell said it took him baking over 1,000 croissants before he started to understand it.

Researcher K. Anderson Ericsson came up with the theory that elite performers have practiced 10,000 hours. That equals roughly practicing everyday for 7 years.

How do you master your chosen craft? To give something seven years you must love it. Once you give yourself permission to do what makes your heart sing, do it over and over again! So simple its hard to get!

Practice makes perfect

Reflection on a Month of Painting

Well January has come to a close and I think I did pretty well on my attempt at consistent daily painting. I did not paint every day of January (I knew I would not paint when friends were in town) but I came pretty close. 

I painted 23 out of 31 days. I finished 16 paintings. I started two canvases that are still in progress. I sold two paintings from the month without even pushing it. (Thank You Collectors!) I listened to hours and hours of podcasts! All in all, I think it was a pretty successful challenge. 

What was the most important thing I learned from this foray into daily painting? That for better or worse the more I paint, the more I want to paint! Painting (of any kind) is the place I find my bliss. Its the place my soul finds restoration and my spirit's vibration is raised. I go into my studio at 9:00 and before I can blink its almost 4:00pm, my kids are coming home and my painting day is over.
The interesting thing is, in the past I have always thought "finding the time" would be the hard thing about making a commitment to my creativity. Once I made the mental commitment that I would be spending some portion of most of my days painting, everything just some how fell into line. Sort of the same way you know that every day you will eat dinner and plan accordingly for that. 

January is done and there are still 11 months left in 2017. I will not say I am going to paint everyday because some days are for museums, exploring the world and filling your creative well in other ways. But, now that I have pledged to my art my most valuable asset (my time) and see that it is not daunting but in fact liberating, I have no plans to slow down!

Question: 
Is there an activity you do that makes time stand still and leaves you in a state of bliss?
If not, can you commit to exploring what it could be?
If there is, can you do it more often?

Let me know! I want to hear what it is for you.

My last six painting days were spent on this still life. "Tomatoes" 12" x 30", oil on canvas. 

Pomegranates and Sunsets

Lately, I have seen so many beautiful sunsets. I have risked my life trying to get my iPhone out to take a picture of them while driving in the car. (Do not tell my husband, he does not want to know that!) My kids make fun of how I babble about all the oranges, salmons, pinks, purples and blues. My youngest even took a stealth video of me going on and on about the sky one evening. Have you ever seen the double rainbow video on YouTube? It was almost like that.

One of my favorite artist, 18th century Spanish painter Louise Melendez, combined his still-lifes with dramatic backgrounds. He would often throw in a sunset or pretentious landscape behind his melons and the effect was stunning. I thought I would try the same with my little still life painting today.

Pomegranates are not only beautiful but symbolic. They symbolize fertility and abundance because of their multitude of hidden seeds. Jews eat their 613 seeds on Rosh Hashanah, Muslims place them in the Garden of Paradise, Persephone was tricked into eating pomegranate seeds and had to stay in the underworld with Hades, Turkish people crack them on NewYears's and according to Wikipedia the pomegranate is the symbol of Armenia.  (Really, why are people not painting more pomegranates?)

Lucky Number 7

Today is the 7th and that means I have painted seven days in row. Huge accomplishment for me. I don't know if I have ever done that before, even at an art workshop. They certainly were not all keepers but with each time you show up at the easel you learn something. 

Today I painted a Chinese takeout box. It started out with a lot of potential and ended up looking like amateur night at the local pub.  I scraped the painting down and decided it was a marked improvement over the original! 

Well intentioned original  

Aw Chesnuts!

Today's daily Painting is Chesnuts. Europeans seem to love them. They have been in the grocery stores since the fall and you can always find them roasted downtown.

My memory of chestnuts is from my childhood in SC. My aunts had a huge chestnut tree. I don't remember ever eating the Chesnuts but the husks were always laying around the yard sharp and spiky, ready to stab your feet through your shoes. Summertime was especially treacherous.

Chestnuts are beautiful, if you really look at them. Wonderful tones of brown and umber, it does make you want to roast them up or put them in your stuffing. I found these two on the sidewalk but after painting them, I think I am intrigued enough to buy a bag at the store.

Detail of brushwork. 

Day Three Chilies

This is day four of the 30 paintings in 30 days challenge.

Painting-A-Day

Back to oil painting after about six weeks. I felt a little rusty but anything feels that way when you're not used to it. For example; I am also trying to start the year off right by cooking and eating healthier- that feels weird too! 

Best of luck to everyone else out there who is trying to start the year off right. ;-)

Explaining Inspiration

This week I spent a little time exploring a new creative process that turned out to be a blast. I want to share it with you because whether you make art or not, we all have the choice to look at the world around us and see what peaks our interest and create a life that's beautiful.

This process was taught by Tracy Verdugo on Tamara LaPorte's "LifeBook 2016," an online course I have been taking for the past two years. As an artist I am often asked where do I get my inspiration. Usually, I respond with "I don't know" or the equally vague  "life, I guess." But really, inspiration is everywhere - you just have to be willing to pay attention to the details. 

In this process, Tracy teaches students to make inspiration bundles as a creative prompt. The task was to go through 6 or 7 books or papers you have collected and tear out a random image (don't over think it) so that you have a stack of about 7 to 12 pieces of paper. Taking each piece of paper one at a time see what appeals to you and incorporate that into your piece. Below is my finished painting that, in the end,  I was very happy with. BUT - like everything in life - there was a catch...

"Little Details" 9 x 12" mixed media

This is my first image and it is not hard to see where the figure is represented. What WAS hard and what you do not see is that underneath all the layers there was a beautiful, painstakingly  painted re-creation of this woman in black and white. Then I came to my next image and had to  decide what to lose and what to keep. What to paint over and what to incorporate.

In the end it turned out to be a much more interesting painting because of what was kept and lost. That is how I see life. We can try as hard as we can to be something we think we "should" be, to hang on tight to those images and stories we want to tell about ourselves. However, the real beauty is in the details. What we observe, discard and layer. That is how we take our world and create a life that is authentic and worth living.

Each image below is represented in the finished product. Can you spot the inspirational details?

Yes, even a #10 envelope can be inspiring if you really look at it.

Pattern Hunting at the National Gallery of Art

One of the things I love about living in Washington, DC is going to the National Gallery of Art. When people think of free museums they usually think of the Smithsonian museums on the mall. But DC has three free art museums; The National Gallery of Art (NGA), The Hirschhorn, and the Smithsonian American Art Museum & Portrait Gallery.

I think one of the best ways to learn to draw is to copy a painting or sculpture.  As a practice I try to get to a museum about once a week (if I am lucky). The NGA never disappoints me! I can always find a painting by a famous artist I never noticed before or discover something new in a painting I've seen a million times. Now that the NGA is rotating some of their art, presumably to make room for their acquisitions from the Corcoran (that is another discussion), there are more new things to see.

Recently, I made a trip to the NGA to collect patterns. Instead of picking a painting to study and draw, I decided to look at paintings and find patterns I could use for inspiration in one of my own paintings. Here is a small sample of what I found.

detail of "Odalisque Seated with Arms Raised" by Henri Matisse

Matisse may very well be the master of pattern and color. He can take the simple and make it sublime...

detail of cloth in Auguste Renoir's "Odalisque"

detail of dress hem in John Singleton Copley's "The Copley Family"

The curls on this sculpture almost look like octopus tendrils.

The pattern on this skirt is beautifully painted. You can tell by the hands it's a Sargent...
detail of John Singer Sargent's "Repose"

This modern looking painting is actually a Henri de Toulouse-Lautrec, painted on cardboard.  The skirt, the fence and shirt are all full of simplified marks. 

If you live in DC and want to go to the museum to draw... send me an email. We'll make an afternoon of it!